Image Tinter
Add a color tint or a flat color overlay to any photo: sepia, warm, cool or any color you pick, with a live preview.
or browse filesdrop an image here or paste
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Add a color tint or a flat color overlay to any photo: sepia, warm, cool or any color you pick, with a live preview.
or browse filesdrop an image here or paste
This free image tinter, colour tinter or tint changer - whichever you call it - pushes a whole picture toward one color. Pick a color from the nine presets - sepia, vintage, warm, red, pink, purple, blue, cool and green - or open the custom picker at the end of the row and choose any color you like, then drag the intensity slider until the look is right. The preview updates as you drag, and the download applies exactly the same math to every pixel of the original image.
There are two ways to apply the color, behind the Tint and Overlay buttons. Tint behaves like a colored filter held over the lens: it shifts the balance of red, green and blue but leaves the picture's brightness and contrast alone, so a face still has highlights and shadows even at full intensity. Overlay is the flat version: every pixel is mixed straight toward the color, so the image fades into a solid color block as you push the slider to 100.
Drop a photo onto the page, or paste one from the clipboard. Choose a tint color, set the intensity - roughly 10 to 25 reads as a gentle cast, 30 to 50 as a clear color grade, and higher as a strong stylized look - and switch to Overlay if you want the flatter wash instead. Download as PNG for a lossless file, or JPG or WebP for a smaller one. Nothing is uploaded, there is no signup, and no watermark is added.
Most people looking to tint a photo want the Tint mode. Because it works as a per-channel gain normalized against the tint color's own brightness, a neutral gray pixel keeps its exact brightness and only changes hue, which is why a tinted photo still looks like a photo. It is the right choice for a warm sunset grade, a cool cinematic look, a sepia print, or a brand color laid over a product shot.
Overlay is the classic color overlay: useful when you want a poster or banner background, a strong duotone-style block of color, or a deliberately washed-out look behind text. It is also the mode to pick if you want the picture to disappear into a flat color at the top of the slider.
That mode is a plain wash. If you need the overlay to interact with the picture underneath - multiply so it only darkens, screen so it only lightens, soft light so contrast survives - the color overlay tool carries the full set of blend modes along with ready-made scrims for laying text over a photo. And if what you are after is a different colour in the shadows than in the highlights - teal and orange, say - that is a grade, not a tint: the color grading tool has a wheel for each zone.
Sepia and vintage give the warm brown cast of an old print and suit portraits, wedding albums and anything meant to feel archival. Warm adds sunset and golden-hour light to landscapes, food photos and skin tones. Cool and blue produce the cold, cinematic grade you see in film stills, and they flatter winter scenes, night shots and product photography. Pink and purple are the dreamy, editorial end of the range for fashion and social posts, while red and green are strong graphic casts more often used for posters, album art and web backgrounds than for photographs.
The preview and the download run the same lookup table over the pixels, so what you see is what you save, at the full resolution of the file you loaded. Transparency is preserved: a PNG with a transparent background comes back tinted with the background still transparent. Everything runs on your device through the canvas API, so no image is transmitted anywhere and the page keeps working offline once it has loaded.
For related color work there is the hue shifter to rotate existing colors around the spectrum, the black and white converter to drop color entirely, and add noise if you want film grain on top of a vintage tint.
Open the photo here, pick a color from the swatches or the custom color picker, and drag the intensity slider. The preview shows the result immediately. When it looks right, download it as PNG, JPG or WebP at the original resolution. No account, upload or watermark is involved.
Click the matching swatch and set the intensity. Blue, pink, red, purple and green are all in the preset row, and the last swatch opens a full color picker with a hex field if you need a specific shade, such as a brand color.
A tint shifts the color balance of the picture while keeping its brightness and contrast, so the photo still reads as a photo. An overlay mixes each pixel toward the color itself, which flattens contrast and, at full intensity, replaces the image with a solid color. Both are available here on the Tint and Overlay buttons.
Choose the sepia or vintage swatch in Tint mode and set the intensity somewhere between 40 and 80. Sepia is the darker brown of an old print, vintage the lighter faded amber. For a more convincing aged look, run the result through add noise with a little film grain.
Every change you make here is applied to the original image, so you can switch colors, modes and intensity as many times as you like, and setting the intensity to 0 gives you the untouched picture back. Note that this tool adds a tint rather than removing one: a color cast already baked into a photo before you loaded it cannot be undone by tinting.
No. The image is decoded, tinted and encoded in your browser, at preview and at full download resolution alike. Nothing is sent to any server, and the tool keeps working with the network disconnected once the page is open.